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  I was in attendance last Saturday (the night of wildly competing queer events) for drag raunch queen Gula Delgado aka Eric Sellers‘ video release party. Held at Maricon at the Matador, the tiny dive bar west of downtown, the space was incredibly packed and difficult to navigate but the drinks were cheap and everyone was friendly despite (or perhaps because of) the lack of personal space.
A brilliant rendition of Robyn‘s Dancing On My Own, Delgado’ not only donned the parody outfit but actually sang the tune herself in the video directed by Devon McGrath. It wasn’t quite as out there as one might expect after seeing Gula do some really nasty things on stage, such as the sex, drugs and scattalogical references during her ‘Twas the Night Before Christmas performance but it was satisfying and easy to dance to. Some fans thought this might be an attempt not to completely scare the mainstream (or Marty Davis, who has already admitted her fear).
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 'Sissyboy Washes Up' Photo by Marty Davis / Just Out This weekend was pretty epic. Indeed the fact/excuse that this review is a day or two late is testament to just how big a queer party weekend it was.
Friday started it off with an extremely packed and sweaty Fruitcake which may quickly outgrow its britches, and perhaps already has, in the fine tradition of upstarts such as Booty. But it was Saturday’s combo of 2 big returns, Sissyboy and Blow Pony, that truly raised the roof.
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 The Sissyboy troupe After an epic final show in October 2007, the unabashedly naughty Sissyboy shock drag troupe called it quits, and the gentlemen all, literally, went their own ways. But the dream never died. Various related performance groups arose and the Sissyboys released an underground documentary film.
Key member, Splendora (aka Lee Kyle), continued to perform around Portland before moving to New York City. Amazed at the Big Apple’s timidity, Kyle was determined to reunite the boys for a truly envelope-pushing east coast performance. Luckily, we get to see it first.
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