If you missed last week’s Electrogals conference this video won’t cover it. But at least you can get a taste by seeing video of La Pump‘s Saturday night performance of “Magnet.”
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If you missed last week’s Electrogals conference this video won’t cover it. But at least you can get a taste by seeing video of La Pump‘s Saturday night performance of “Magnet.” This week a celebration of women in Electronic Music and Art, Electrogals: Gals Gone Wired has already begun. This long running concert series focused on bringing more attention to the scarcity of women in electronic music was started by Heather Perkins over 15 years ago while she studied electronic music at Mills College and is now a staple in the Portland electro scene. We were able to nab her from her busy conference schedule to answer some questions about the festival below. You can visit their website for info on all the participating performers and check out the full schedule in the events calendar. qPDX: How and why did you get started with Electrogals? Do you have a mission statement or publicly stated goal? Heather Perkins: Electrogals started in 1995 at Mills College, where I was studying Electronic Music. Although Mills is a women’s college, the grad program is co-ed, and I was surprised at how few women there were. The faculty – also mostly male – would even remark on the imbalance, and ask me for ideas on how to rectify it. And although the guys in our program were all pretty great one on one, in class there was still the pervasive culture where the guys did most of the talking and got most of the critique time for their work. So I put on a concert featuring all female composers. The title “Electrogals” was kind of a light-hearted way to seriously address the imbalance. We were active and presented our work as a group, instead of passively sitting there by ourselves and not being heard. It was also a great show, and a lot of fun. Continue reading » |
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