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PLGFF film review: ‘Romeos’

­­­When I arrived in the rainy late afternoon to see PLGFF’s premiere of the German film, and first from Director Sabine Bernardi Romeos, to be released later this year it was not to a packed house. Organizer Gabriel Mendoza didn’t consider it one of the fest’s blockbusters, though he loved the film. Indeed, compared to the line around the block when I left for 7pm’s Weekend, it wasn’t. But it was a triumph. Small it may seem, but every review I’ve read thus far of the film following a young trans man struggling with life and attractions through his transition, has been celebratory, and I wholeheartedly agree.

Another common sentiment I share about the film is that the well-written story is carried off flawlessly by lead actor Rick Okon. Okon plays the 20-year-old Lukas who is “accidentally” put into the female form during his year of German service. He wants desperately to get out and just be one of the guys, even though it is here that he has a Ine (Liv Lisa Fries) an old best friend (former lover?), who is also an out lesbian. In her sexually fluid, but not necessarily trans-inclusive, group of friends, Lukas falls for alpha hottie Fabio (Maximilian Befort).

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