Doris Day on the cover of Collier's
Don’t get me wrong. I adore how accessible making a movie has become thanks to the digital age. I can make a movie, you can make a movie, and the Olsen twins can make a movie. Almost all of that is pretty great. (cough cough)
However, I was watching a new movie yesterday, which shall remain nameless, and it depicted a real hard slice of American life. It was one of those slow moving works of probable fiction about a man who is so pathetic that you feel sincere pain in the marrow of your bones as you watch him sulk across the screen. Sulky managed to almost put me to sleep when I fell into an almost lucid trance and had a glorious vision.
I dreamed of Doris Day, and not just any version of Doris either. To promote the release of “April in Paris” in 1952 Doris appeared in full technicolor glamour on the cover of Collier’s, and not alone. She posed with poodles.
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Everything is more fabulous in Technicolor!
Doris Day on the cover of Collier's
Don’t get me wrong. I adore how accessible making a movie has become thanks to the digital age. I can make a movie, you can make a movie, and the Olsen twins can make a movie. Almost all of that is pretty great. (cough cough)
However, I was watching a new movie yesterday, which shall remain nameless, and it depicted a real hard slice of American life. It was one of those slow moving works of probable fiction about a man who is so pathetic that you feel sincere pain in the marrow of your bones as you watch him sulk across the screen. Sulky managed to almost put me to sleep when I fell into an almost lucid trance and had a glorious vision.
I dreamed of Doris Day, and not just any version of Doris either. To promote the release of “April in Paris” in 1952 Doris appeared in full technicolor glamour on the cover of Collier’s, and not alone. She posed with poodles.
Continue reading »